http://www.repubblica.it/speciali/arte/recensioni/2010/08 / 27/news/a_venezia_p ... Opens the twelfth edition, directed by Japan's Pritzker Kazuyo Sejima, the first woman of the historic event. On the topic of "dynamic relationships" march 46 holdings between architects and artists. Are 53 national pavilions, with the new entry of Malaysia and Thailand. Between the present and future play of the Italian Pavilion in Venice LAURA Larcan Plan but Wenders is a two-year female VENICE - The director Wim Wenders who signs a passionate and intimate documentary about his intriguing Rolex Learning Center opened last March at the Ecole Polytechnique Fédérale de Lausanne, the Thai artist Fiona Tan in a video that tells its pioneering projects for the islands of the Seto Inland Sea in Japan, his "master" Toyo Ito (with whom he worked after graduation for six year strategic of enlightened education) that passes between the designers 'historical', and a title / theme "People meet in Architecture", driving across the twelfth edition of the International Architecture Exhibition of the Biennale di Venezia, starts from August 29 to November 21, vehemently that reveals his personal conception of contemporary architecture: that of space as connective tissue or theaters of osmosis, are able to encourage a natural relations between interior and exterior but also the dynamic and fluid communication between individuals. IMAGES 1 First Lady Kazuyo Sejima. And 'perhaps the first time that a Biennale of Architecture is so deeply imbued with the personality of its artistic director, in this case, the first woman in the history of the event, the Japanese lady cinquantaquattrenne Kazuyo Sejima, who won this year with his partner Ryue Nishizawa (with whom he established Sanaa) of the prestigious Pritzker Architecture Prize. But not a bad thing, this bit of self when the main idea is to "overcome the conditions of isolation - to quote her - at a time when the most advanced technologies replace direct dialogue between people, returning a new sense of community. " The Exhibition. It is on this idea of "relationship" at times utopian and romantic, but also adventurous and fearless, and on its precise indication of each of the forty participants, including studios, architects, engineers as well as real artists from around the world that make the exhibition between the infant Palazzo delle Esposizioni in the Giardini and the Arsenale, reserving his personal and unprecedented interpretation, the establishment of 'autonomous scenarios of interaction between environment and society. " You are the Italians wanted by Sejima with choices not so obvious. Renzo Piano, Aldo Cibic (Cibic & Partners) that brings a new version of the "Microrealities (microrealtà as special forms of society based on the interactions of people with their environment). By Andrea Branzi, artist Luisa Lambri, by photographer Walter Niedermayr that processes three different visions of public space in Tehran, the homage to the architect Lina Bo Bardi (1914 - 1992) who worked mainly in Brazil in Sao Paulo focusing its projects on the concept of the report. As warns Kazuyo Sejima "begins every project by drawing the environment and the people who inhabit it. What more striking is the way the Brazilians occupy the space with their bodies. Create amazing environments, starting from these premises." Surveyors and outsiders. Among the star-bows, stands out, as previously announced, the Japanese Toyo Ito & Associates, with its walls to "Swiss cheese" Imagine a way to redefine the division inside-out, and the Dutch "flying" with his Rem Koolhaas OMA (Office for Metropolitan Architecture) which will receive the Golden Lion for Lifetime Achievement (while the memory will be for the Japanese Kazuo Shinohara, who died in 2006) so that his special talent to create "buildings that encourage interaction among people, thus achieving ambitious goals for the architecture, this inspiring people of different disciplines that take great liberties with his work." In addition to the memory of Cedric Price (1934-2003). Among the most borderline attendance, outstanding artists Janet Cardiff, Do Ho Suh, Olafur Eliasson, Marcela Correa that Smiljan Radic, influenced by the recent experience of the earthquake in Chile, has on display a huge stone on which is carved a cavity that receives only one viewer at a time. "An area that is conducive to reflection and meditation," said Sejima. Even artists highlight, as the German artist Thomas Demand and Cerith Wyn Evans. And there is as an engineer Matthias Schuler of Transsolar, in collaboration with Tetsuo Kondo, offers a cloud of size "to its indefinite nature, ephemeral, installation stimulates a new interpretation of space by the viewer," said Sejima . And the critic Hans Ulrich Obrist performer who likes to design scenarios report through the word and the face, interviewing all the participants invited by Sejima and Arsenal making an installation with all the interviews collected. National pavilions. This trip is then assisted in the metropolitan osmosis, according to tradition, from fifty-three holdings of national pavilions in the Giardini, that exceed even with their presence between the Arsenal and the historic center of Venice. The newcomers see slide Albania, Bahrain, Iran, Rwanda, Thailand and Malaysia, the Artillery Arsenal, with the "Re / mixed", dedicated to thirty-seven projects selected among the most interesting studies in Malaysia under construction, completed, or ideas that have been selected for several international competitions, all played on the relationship between architecture and nature. Browsing, who wants to discover what the future skyline of Copenhagen, Denmark can enjoy the pavilion that shows off an array of strings-star for the project Urban Questions, by Zaha Hadid, Rem Koolhaas, Daniel Libeskin. And France leaves extract the architectural perspective of the Great Paris, next to Lyon, Bordeaux and Marseille with the project "Metropolis." And if Britain plays with "Villa Frankenstein," Singapore offers fascinating models of compact cities. Italy Pavilion. Do not miss the Italian Pavilion at the Arsenale exhibition "Ailati. Reflexes from the future", curated by Luca Molinari trying with reckless air of a survey of the recent past and imminent future of contemporary Italian architecture. Almost a diplomatic process to good and evil of a construct of creativity made in Italy. Between a crisis of conscience and ferments buttons. The path is complex, sometimes cumbersome to read, but ambitious enough to do downtown. The balance sheets of the last twenty years of Italian architecture, current affairs of this all to sound (through works constructed in recent years divided into 10 thematic areas emerging solidarity between projects, live below 1000 € per square meter, what to do with property seized from the mafia, emergency landscape, community spaces, new public spaces, cities rethink, archetype / prototype work in progress, grafts). To close with the most urgent future, mapped with a more meditative section and pretentious, and in collaboration with Wired magazine calls together fourteen scientists, thinkers, film-maker "producer" to indicate the priorities of the future. Useful information - "La Biennale di Venezia. 12. International Architecture Exhibition. People meet in architecture, from August 29 to November 21, 2010, Venice (Giardini and Arsenale). Hours: 10:00 to 18:00 (closed on Mondays except Gardens Monday, August 30 and Monday, November 15, 2010), Arsenale closed on Tuesdays (except Tuesday 31 August and Tuesday, November 16, 2010). Admission: Arsenal ticket, Gardens and Bridge of Thoughts, Adults € 20, reduced € 16 Information:
www.labiennale.org 2, tel. 041 5218828 Catalogue: Marsilio (August 27, 2010)
Posted by email from rg600's posterous - Giancarlo Rossi - (save) stockbroker
0 comments:
Post a Comment