http://www.repubblica.it/speciali/arte/recensioni/2010/08/06/news/come_ti_rit ... The National Gallery celebrates the movement with a major exhibition theme. On stage, a hundred works by Monet, Sisley and Van Gogh comes a curiosity: the botanists have identified all the plants in the pictures painted by LAURA Larcan How do you portray a garden so reminiscent of the Impressionists Edinburgh EDINBURGH - If the unbridled force of Impressionism was to experiment with ecstasy blood painting landscapes en plein air, "where the light is not unique - in the words of Emile Zola - but there are multiple effects," then a major exhibition at the Royal Scottish Academy Building (on the whole of the National Galleries of Scotland) into the heart of the movement and captures the essence of the genuine. "Impressionistic Gardens (gardens Impressionist) becomes the subject guessed, almost brazen in this really great collection of nearly one hundred works, the result of collaboration between the institution and the Scottish Museum Thyssen-Bornemisza in Madrid, under the care of Michael Clarke and Clare was able to orchestrate Willsdon pieces of quality through loans authoritative by some major museums in the world. IMAGES 1 The garden, this microcosm infusion of the Wild or tamed, private or public, or green floral, revitalized and energized dall'incostante and indomitable light, is the key to a beautifully predictable journey to the center of Impressionism, where march side by side chromatic virtuosity of his mentors. Monet, who built his personal garden Giverny in Normandy, "his most beautiful work of art", his paradise, his bucolic utopia where to chase the endless mutability of a reality at the mercy of the effect luministic, brought more and more his painting to the extreme edge of an informal taste. A Sisley who loved to capture the perfect harmony with existing color of the gardens of Louveciennes, Pissarro and Berthe Morisot in chasing liberty with instant heat and the gentle beauty of small, well-ordered gardens in the villages around Paris, Renoir used as a fifth His portraits of the spectacular wild garden looks out upon his studio in Montmartre. The garden as a place for experimental research hub outside and the truth had already been the vision of the painters of the first half of the nineteenth century, and the exhibition reward you. Track this the dawn of a revolution in those painters of the Barbizon School, which had denied the construction of classical study, highlight characters such as Delacroix and Corot who had caught the constructive force in the color of the representation. But the exhibition does not end the season then only the most authentic of Impressionism. Leveraging the leit motif of the garden, chasing the souls of this style outsider, the protagonists of a more personal and transfiguring processing, such as Gauguin and Van Gogh, who have written a new chapter, as Seurat, to the troubled chromatic subtleties a young Klimt pre-secession. It 'a short slide show airy leaving an epic style where the color went protagonist, merging into one with the emotion of the individual artist. And the works on display appear as pure color surface, where the matter chromatic flickers with frenzy and excitement, torment and passion to capture the flash of light and density of the atmosphere. Still, the record also shows can give unprecedented criticism: "For the first time we have worked closely with scholars at the Royal Botanic Garden Edinburgh - tell the curators of the exhibition - for a careful and limited joint analysis of the paintings. We were able to identify where it can all types of plants described by the artists in the paintings of the exhibition. This result, as also pointed out the director of the Botanical Gardens David Mitchell, now helps us to demonstrate the high level of specialized knowledge in horticulture, which had some Impressionist painters, real expertise in botany. "The brush stroke short, quick stroke, the emotional dynamism of the colors that have made great and unique the Impressionists, they never canceled the reality of nature. And their gardens today reveal this great truth. Useful information - "Impressionist Gardens", from 31 July to 17 October 2010, Royal Scottish Academy Building, National Galleries of Scotland, Princes Street, Edinburgh, Scotland. Hours: Daily, 10-17 (in August up to 18), Friday until 19. Admission: £ 10, concessions £ 7. Information:
www.nationalgalleries.org 2 (06 August 2010)
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